Victory in the Wilderness Museum is a printed matter project that weaves together photographs, artifacts, ephemera, and archival material to reflect on intersecting ideals, histories, and human dilemmas across the lands of the American West.
On December 28, 2011, I walked in a circle around the eastern-most barn on our family farm and made 11 photographs over a period of 7 minutes, forming a sequential perspective. I recently learned the Bechers referred to this as “Abwicklungen, a term loosely translated as ‘unwinding’ or ‘unfolding.’’ (1)
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5x7.5 in.
Black Ink Risograph, 24 pages
Saddle Stitch, Black Staples
Pictures, text, and design by Jason Reed
Published in 2024
Edition of 35
5x7.5 in.
Black Ink Risograph, 24 pages
Saddle Stitch, Black Staples
Pictures, text, and design by Jason Reed
Published in 2024
Edition of 35
Atascosa Borderlands is a transdisciplinary storytelling project by photographer Luke Swenson and naturalist Jack Dash. The project developed out of a comprehensive botanical flora of a 203,799 acre section of the Coronado National Forest in southern Arizona known as the Atascosa Highlands.
Since 2017, the project has worked with over 80 community members bridging social and political divides: ecologists, environmental conservationists, cattle ranchers, humanitarian aid workers, migrants, deer hunters, ex-border patrol agents, and indigenous community members. Atascosa Borderlands seeks to move beyond the politicized approaches found in mass media to showcase the profound, and often contradictory experiences of the Borderlands, bringing to the fore the voices of a broad spectrum of residents who can speak directly to the challenges these communities
are facing.
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Since 2017, the project has worked with over 80 community members bridging social and political divides: ecologists, environmental conservationists, cattle ranchers, humanitarian aid workers, migrants, deer hunters, ex-border patrol agents, and indigenous community members. Atascosa Borderlands seeks to move beyond the politicized approaches found in mass media to showcase the profound, and often contradictory experiences of the Borderlands, bringing to the fore the voices of a broad spectrum of residents who can speak directly to the challenges these communities
are facing.
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7x11 in. Rubber Band Binding, 20 pages, Contingent Sequence
Unfolds to become 11x14 in. Double-Sided Portable Exhibition
All color pictures by Luke Swenson; Historical photographs courtesy of Arizona Historical Society and Mary Noon Kasulaitis
Published in 2023
Edition of 100
*All proceeds will be donated to the Atascosa Borderlands ongoing documentary project
7x11 in. Rubber Band Binding, 20 pages, Contingent Sequence
Unfolds to become 11x14 in. Double-Sided Portable Exhibition
All color pictures by Luke Swenson; Historical photographs courtesy of Arizona Historical Society and Mary Noon Kasulaitis
Published in 2023
Edition of 100
*All proceeds will be donated to the Atascosa Borderlands ongoing documentary project
Pecos, Texas has for most of its life been a place in between here and there. It is flat, hot, and dusty with little geological dimension save for the scrub brush that dots the endless horizon. The much-mythologized Pecos River cuts through the windswept plains east of town. Follow that river and the Texas-Mexico border is just a few hours south.
Yet unlike many of the rural towns that have faded away in an ever-increasing urbanized age, Pecos sits on the Permian Basin—a massive geological formation stretching across parts of West Texas and Eastern New Mexico that is exceedingly rich with oil and gas.
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Yet unlike many of the rural towns that have faded away in an ever-increasing urbanized age, Pecos sits on the Permian Basin—a massive geological formation stretching across parts of West Texas and Eastern New Mexico that is exceedingly rich with oil and gas.
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7x11 in. Rubber Band Binding, 20 pages, Contingent Sequence
Unfolds to become 11x14 in. Double-Sided Portable Exhibition
Photographs by Hope Mora
Text by Jason Reed
Typography by M. Wright
Published in 2023
Edition of 100
7x11 in. Rubber Band Binding, 20 pages, Contingent Sequence
Unfolds to become 11x14 in. Double-Sided Portable Exhibition
Photographs by Hope Mora
Text by Jason Reed
Typography by M. Wright
Published in 2023
Edition of 100
Over the last twenty years, Jason Reed has been photographing his family’s cotton and maize farm in West Texas. The land sits near Wall, a farming community at the southern end of the Great Plains. Reed’s in-laws have run the farm for more than 50 years. Before that, they worked alongside their parents on this same land; they are the third generation to farm here. These semi-arid flatlands now serve as the starting point for a globalized cotton chain. Millions of pounds of cotton are harvested in the region every year, most of which are shipped 7,000 miles away on cargo ships to China for milling and production.
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$20 ︎ Add to Cart
7x10 in. OTA Softcover Binding
BW and Color Offset, 176 pages
Photographs/Text by Jason Reed
Typography by M. Wright
Published in 2022
Edition of 350
Special Edition - Sold Out
Signed and Numbered Book
and a 5x7” Inkjet Print
Limited Edition of 20
7x10 in. OTA Softcover Binding
BW and Color Offset, 176 pages
Photographs/Text by Jason Reed
Typography by M. Wright
Published in 2022
Edition of 350
Special Edition - Sold Out
Signed and Numbered Book
and a 5x7” Inkjet Print
Limited Edition of 20
